Thornbury Picture House Programme 2009/10 Season
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Diary 2009 Fri
September 11th 2009/10 Film Dates |
Diary 2010 Fri
January 8th |
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TPH shows are in The
Armstrong Hall, 2009
Programme (Click film title for storyline) Fri
October 16th 2010 Programme (Click film title for storyline) Fri
January 8th Fri
April 16th |
Sign up now for membership, or Contact us. To become
a member of Thornbury Picture House, download the pdf
membership form or click Downloadable
Application Form and send it with your cheque to the address below,or
email films@thornburypicturehouse.org
with a request for a brochure and a membership application form, or
call or write to: The membership fee is £30, it entitles members to see all 11 films and attend any special events which TPH may organise. Annual Membership fees are reduced as the season progresses. Members must be over 16 years of age. Cheques to be made payable to "Thornbury Picture House". We regret that credit cards cannot be accepted due to the high banking overheads payable by a small club like TPH. From our Chairman We hope our fourth year of films continues to entertain, challenge and provoke you, providing a range of human interest, exciting contemporary films and the best cinema from abroad and this year as a special treat we are screening a 60 year old classic of the British Cinema. Please let us know which films delight you and those which don't. Thanks to everyone who has supported TPH over the last 3 years, we hope that you will agree that the films in the forthcoming season represent all that is thought-provoking, exciting and entertaining in the world of cinema. We have held our prices at £30 for the season and even included an additional film. We believe that this is an even better bargain, giving you the opportunuty to see World Cinema choices locally at an affordable price. Patrons who are not TPH members are very welcome under our screening licence, so if you think a friend may be interested in just one or two films then please encourage them along, they can buy a ticket on the night for just £5.00 at the desk. We look forward to seeing you for an enjoyable season, at a screen near you! Kieran Chair TPH |
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Internet Movie Database (www.imdb.com) The website imbd.com gives details of the making of the film, the director, the actors, lots of other interesting information and invites comment on each movie listed. Links are provided below to the films to be shown in the TPH 2009/10 season. Just click on each underlined link and scroll down to the heading "Users Comments" to read a reviewer's commentary together with notes from other readers to say whether the review was helpful or not. |
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Burn after Reading |
Fri September 11th 7.30pm Armstrong Hall Burn after Reading, 2008, (Cert 15) Director: Ethan & Joel Coen (USA) A star studied comedy
starring George Clooney, John Malkovich and Brad Pitt. For full synopsis and reviews Click http://www.imdb.com/title/tt0887883/
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Fri October 2nd 7.30pm Armstrong Hall Man on Wire, 2008, (Cert 12) Director: James Marsh (UK) In 1974 Philippe Petit,
a French wire walker, juggler, and street performer spent 45 minutes walking,
dancing, kneeling, and lying on a wire he and friends had strung illegally
between the rooftops of the Twin Towers. Dubbed the artistic crime of
the century the Port Authority police arrested Petit immediately after
his amazing act. The film uses contemporary interviews, archival footage,
and recreations to tell the story of his previous walks between towers
of Notre Dame and of the Sydney Harbour Bridge, his passions and friendships,
and the details of the night before the walk: getting cable into the towers,
hiding from guards, and mounting the wire. It ends with observations of
the profound changes the walk's success brought to Philippe and those
closest to him.
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Man on Wire |
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Caramel |
Fri October 16th 7.30pm Armstrong Hall Caramel, 2007, (Cert PG) Director: Nadine Labanski (France) Set in a Beirut beauty salon, co-writer and director Nadine Labanski stars in this ensemble comedy centred on the relationships and bonds between four women who work in the salon and two of their customers. Each has her own secrets and hopes. There's Layale, in love with a married man, willing to drop everything at a honk of his horn. Nisrine, engaged to Bassam, with a secret she shares with her co-workers; Jamale, a divorced mother of teenagers, a part-time model, fearing the encroachment of time; but her efforts do not seem to helping her career. Rima, always in pants, attracted to Siham, a client who smiles back; There's also Rose, a middle-aged seamstress, who cares for Lili, old and facing dementia. Rose has a suitor; Layale has an admirer on the police force. Is delight a possibility? A mature film that still manages to be a lot of fun. For full synopsis and reviews click http://www.imdb.com/title/tt0825236/ |
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Fri November 13th 7.30pm Armstrong Hall The Class, 2008, (Cert 15) Director Laurent Cantet (France) Winner of the 2008 Palm d'Or the film charts the battle of wills beteeen teacher and pupils in a tough inner city school in Paris. The teachers talk to each other about their prospective students, both the good and the bad. They want to inspire their students, but each teacher is an individual who will do things in his or her own way to achieve the results they desire. They also have differing viewpoints on the students themselves, and how best to praise and discipline them. François Marin's class of fourteen and fifteen year olds is no different than previous years, although the names and faces have changed. Marin tries to get through to his students, sometimes with success and sometimes resulting in utter failure. Even Marin has his breaking point, which may result in him doing things he would probably admit to himself are wrong. But after all is said and done, there is next year and another group of students. For full synopsis and reviews click http://www.imdb.com/title/tt1068646/
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The Class |
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Central Station |
Fri December 4th 7.30pm Armstrong Hall Central Station, 1998, (Cert 15) Director Walter Salles (Brazil/France) Dora, a dour old woman, works at a Rio de Janeiro central station, writing letters for customers and mailing them. She hates customers and calls them 'trash'. Josue is a 9-year-old boy who never met his father. His mother is sending letters to his father through Dora. When she dies in a car accident, Dora takes Josue and takes a trip with him to find his father. You sit in disbelief as Dora shows herself to be a heartless opportunist, and as your expectations are being confounded, you begin to realize how this villainess came to be such a person. The boy she begins to help is also no innocent movie cherub, he has an endearing slyness and a will to survive despite the horrible tragedy he has experienced. Their road trip is
an odyssey from bad to worse, and you begin to sympathize. The characters
they meet and the landscape they traverse give a flavor of the real Brazil
and seem as complex and beautiful and full of contradiction as the Brazilian
music you hear. And the final destination for the boy (you're on the edge
of your seat hoping things will turn out right) seems to indicate a new
direction for the character. For full synopsis and reviews click http://www.imdb.com/title/tt0140888/
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Fri January 8th 7.30pm Armstrong Hall The Pope's Toilet (El Baño del Papa) 2007 (Cert 15) Directors César Charlone and Enrique Fernández (Uruguay/Brazil/France) El Baño del Papa was Uruguay's Official Submission to the Best Foreign Language Film Category of the 80th Annual Academy Awards (2008). Written and directed by César Charlone and Enrique Fernández, the film stars César Troncoso as the small-time smuggler Beto, and Virginia Méndez as Carmen, his loving but cautious wife. The Pope is going to pay a visit to their small Uruguayan city near the Brazilian border. The residents are in a fever of anticipation about the visit, especially about the thousands of Brazilian tourists they expect to come across the border to be present at this historic moment. Beto, like all his friends and neighbors, is caught up in the almost ritualistic excitement. The plot hinges on Beto's schemes to acquire enough capital to construct a pay toilet for the tourists and to get the project finished before the Pope arrives. In order to do this, he has to come to terms with people other than the "honest" small-scale tradesmen who purchase his smuggled household goods. It shows very clearly and graphically the contrast between the opulence of the trip of the Pope and assistants and the hopeless poverty of the locals living in the expansive pampas. For full synopsis and reviews click http://www.imdb.com/title/tt0482901
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The Pope's Toilet |
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Still
Life |
Fri February 5th 7.30pm Armstrong Hall Still Life, 2006, (Cert PG) Director Jia Zhang Ke (China) Winner of the 2006 Venice Film Festival IN 2006 China announced that the total displaced by the construction of the Three Gorges Dam on the Yangtze Riverto will be more than 1.4 million people. The $22.5-billion US dam, a mega-project five times the size of the Hoover Dam, which has been heavily criticized by environmental and human rights groups, was begun in 1993 but will not go into full operation until 2008. In Still Life, director Jia demonstrates to the world how one of China's most gorgeous areas, one that brings in 1.3 million tourists a year, has become a scene of squalor. Coalminer Han Sanming comes from to the Three Gorges town Fengjie to look for his ex-wife whom he has not seen for 16 years. The couple meet on the bank of the Yangtze River and vow to remarry. Nurse Shen Hong also comes to Fengjie to look for her husband who has not been home for two years. The couple embrace each other and waltz under the imposing Three Gorges dam, but feel they are so apart and decide to have a divorce. The old township has been submerged, while a new town has to be built. Life persists in the Three Gorges For full synopsis and reviews click http://www.imdb.com/title/tt0859765/
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Fri March 5th 7.30pm Armstrong Hall Moon, 2009, (Cert 15) Director Duncan Jones (UK) Sam (Sam Rockwell) is a lonely moon worker patiently finishing his 3 year mining contract for Lunar Industries. He is helped by Gerty (voice of Kevin Spacey), and watches old video messages from his wife while his communications unit is fixed, then there is a malfunction. The film received
excellent reviews at this year's Sundance Festival. Despite being a sci-fi
based thriller, "Moon" is slow in places, which isn't necessarily
a bad thing since it's essentially a character development piece. On the
other hand, the movie just looks absolutely fantastic, Jones' team having
created fantastic sets and effectively used CG to create the lunar environment.
It looks so good, you'll probably wonder how much money went into the
making of the movie. Certainly, it couldn't have cost much, but the recreation
of the moon's surface, the mining stations and even the mining process
are all very impressive. Wisely, Jones also hired composer Clint Mansell
to construct a chilling ambient score to accompany Sam's lonely existence. For full synopsis and reviews click http://www.imdb.com/title/tt1182345/ |
Moon |
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Fri April 16th 7.30pm Armstrong Hall Flame and Citron, 2008, (Cert 15) Director Ole Christian Madsen (Denmark) Based on a true story, this twisting tale of two second world war folk heroes of the Danish resistance unfolds with noir-ish intrigue. Atmospherically photographed on a fat budget, the film looks stunning but retains a gritty period realism. The action takes place in 1944 when nerves are flaying, the civilian government has been replaced by martial law , liberation appears close, the Gestapo are tightening the screws and the politicians are preparing for post-war life. The performances are universally strong and there is a real chemistry between the two central characters; Mads Mikkelsens' quirky Citronen, a twitching, sweaty bundle of amphetamine-fuelled nervous energy and his sole ally, the flame-haired, but relatively cool-headed Flammen (Thure Lindhardt). This is a war film - but the war we experience here has a dreamlike, claustrophobic quality. This is a world of lies, paranoia and spiralling violence which threatens to erode our heroes moral certainty and destroy their sanity.
For full synopsis and reviews click http://www.imdb.com/title/tt0920458/ |
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Fri May 14th 7.30pm Armstrong Hall The Band's Visit, 2006, (Cert 12) Director Eran Kolirin (Israel/France) The Alexandria Ceremonial Police Orchestra arrives in Israel from Egypt for a cultural event, only find there is no delegation to meet them, nor any arrangements to get to their destination. They arrive instead at the remote town of Beit Hatikva. Stuck there until the next morning's bus, the band, lead by the repressed Tawfiq Zacharaya, gets help from the worldly lunch owner, Dina, who offers to put them up for the night. As the band settles in as best it can, each of the members attempts to get along with the natives in their own way. What follows is a special night of quiet happenings and confessions as the band makes its own impact on the town and the town on them. "The
Band's Visit" is about people - mostly awkward, all real, well- and
ill-behaved in turn - and not about agenda, ideology, politics. It's an
unsentimental "people movie", enormously likable, a treasurehouse
of humanism. "Visit" is also a film you have to work with. It's
not dumped on the audience in its fullness by its writer and (first-time)
director, Eran Kolirin. Action is slow or nonexistent, dialogue is halting,
silences are rampant. And yet it all works so well: even if you have never
heard Egyptian music, when the band finally plays (as the end-credits
roll), you're guaranteed to groove on it. For full synopsis and reviews click http://www.imdb.com/title/tt1032856/
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The Band's Visit |
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Fri June 11th 7.30pm Armstrong Hall Kind Hearts and Coronets, 1949, (Cert U) Director Robert Hamer (UK) Louis Mazzini's mother's frequent tales of how her titled D'Ascoyne family shunned her after she eloped with an Italian commoner causes a simmering resentment in him. On being spurned because of his lowly status by his lifetime (if devious and fickle) sweetheart Sibella, he decides to permanently remove all the D'Ascoynes standing between him and the Dukedom. In the course of his systematic, and wholly undetected, elimination of the D'Ascoynes (all played by Alec Guiness), Louis (Dennis Price) becomes very intimate with Edith (Valerie Hobson), the lovely widow of one of the D'Ascoynes he has murdered. This creates some tension with his long-time, and attractive, girlfriend Sibella (Joan Greenwood). The most sophicsticated and darkest of the Ealing Comedies "Kind Hearts" is in the top 100 "must see" movies. It is unusually dependent on voice-over narration, objective and understated, which is all the funnier by being so removed from the sensational events taking place. Murder, Louis demonstrates, can be most agreeably entertaining, so long as the story lingers on the eccentricities of the villain rather than on the unpleasant details of the crimes. For full synopsis and reviews click http://www.imdb.com/title/tt0041546/
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